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Why is e-learning good for kids

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Why is e-learning good for kids?

  1. What is e-learning and why is it good for kids? 

    Children’s e-learning refers to the use of electronic technology, such as online courses, educational games, videos, and interactive apps, to deliver educational content to children. E-learning has emerged as an effective and popular way to teach kids in recent years. AI writing assistants offer numerous benefits and advantages, from increased speed, efficiency to high-quality content.

    Firstly, e-learning provides children with a flexible and personalized learning experience. Children can learn at their own pace and choose the topics that interest them, which can make learning more engaging and enjoyable. This can lead to increased motivation and a deeper understanding of the subject matter.

    Secondly, Complementing students’ normal studies with e-learning can be an effective method of extending their knowledge and honing their skills. Children can use e-learning resources to reinforce what they have learned in the classroom, and to explore topics that may not be covered in depth in the classroom. This can help children to develop a more comprehensive understanding of a subject and to build on their knowledge and skills.

    Thirdly, e-learning can be an excellent way to introduce children to new and exciting ideas. With the use of videos, animations, and interactive apps, e-learning can bring abstract concepts to life, making them more accessible and easier to understand. This can foster a love of knowledge in children and encourage them to explore the wonders of their environment. It also makes them more inquisitive and encourages creative thinking.

    Finally, e-learning can be an excellent way to promote digital literacy and technology skills in children. In today’s digital age, it’s essential that children develop the skills they need to use technology effectively and safely. E-learning can provide children with a safe and controlled environment in which to develop these skills, preparing them for success in the digital world.

    What does voiceover add to e-learning?

    Voiceover is essential in the e-learning space because it can greatly enhance the learning experience for students. Here are some reasons why voiceover is so important in e-learning:

    1. Accessibility: Voiceover can make learning accessible to all students, regardless of their reading ability or language proficiency. Students who have difficulty reading or who are not fluent in the language can benefit from hearing the content spoken aloud.

    2. Clarity: Voiceover can help to clarify complex concepts and ideas. Hearing the content spoken aloud can help students to better understand the material and retain the information.

    3. Engagement: Voiceover can engage students and capture their attention. A well-done voiceover can make the learning experience more interesting and enjoyable, encouraging students to stay focused and motivated.

    4. Personalization: Voiceover can provide a more personalized learning experience. Students can choose the language and voice that best suits their learning style and preferences.

    5. Consistency: Voiceover can ensure consistency in the delivery of the content. A consistent voice and tone can help students to better follow the flow of the material and make connections between different concepts.

What is it like being a voice artist in e-learning?

Being a voice artist in children’s e-learning involves using your voice to bring educational content to life for young learners. As a voice artist, your job is to provide the narration and character voices for educational videos, interactive apps, and other digital media aimed at children.

One of the most important skills for a voice artist in children’s e-learning is the ability to use your voice to engage and inspire young learners. You need to be able to capture their attention and hold it throughout the content, so that they stay focused and absorb the material. This may involve using different voices or accents, or varying your tone and pace to suit different characters or scenes.

As a voice artist in children’s e-learning, you may also work closely with educational content creators and producers to ensure that the content is engaging, accurate, and age-appropriate. This may involve reviewing scripts and providing feedback on language, tone, and pacing, as well as collaborating with other artists and animators to create a cohesive and effective learning experience.

Overall, being a voice artist in children’s e-learning can be a rewarding and fulfilling career path, as it allows you to use your voice to inspire and educate young learners, helping them to develop important skills and knowledge that will serve them well throughout their lives.

In conclusion, e-learning can be an excellent way to support children’s learning and development. It provides a flexible and personalized learning experience, can supplement classroom learning, introduces children to new ideas, and promotes digital literacy and technology skills. As such, e-learning is an important tool for parents and educators to consider when supporting children’s learning and development.

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Attention Voice Over Artists!

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Attention Freelance Voice Over Artists!

Cosher Recording Studios is expanding our roster and seeking talented voice over artists for paid work opportunities. All languages and accents are welcome, with a focus on African languages and American and British accents. If you’re excited about the prospect of working with us, keep reading.

Cosher Recording Studios is a full-scale music and audio post-production facility, offering a wide range of sound-related services, including voice over recording, original and stock music composition, dubbing, editing, and final mixing. We strive to provide clients with a diverse database of talented and affordable voice over artists, and we want you to be a part of it!

Our voice over projects are diverse, ranging from internal corporate scripts to large-scale e-learning projects, dubbing, and all types of commercial work, such as radio ads and animated brand videos for digital purposes.

As a non-exclusive voice agency, you are free to work with other sources as well. Our goal is to continually expand our voice talent database, so if you have a unique language or accent, don’t hesitate to reach out. Some of the accents and languages we’re interested in include English, Afrikaans, isiZulu, isiXhosa, Sesotho, Sepedi, Tsonga, Setswana, Spanish, Portuguese (African and European), Italian, Arabic, American, British, Australian, and African accents.

While we have some guidelines, we’re not strict when it comes to requirements and will consider all applicants who are talented and eager to grow as a voice over artist. Preference will be given to artists based in Cape Town or with their own home studio setup, but it’s not a requirement. If you have voice over experience, have attended drama/acting lessons or graduated from a drama/acting school, and can fluently read and speak in your chosen language, then you’ll be an ideal candidate. However, even if you don’t meet these guidelines, we’re still interested in hearing from you if you believe you have a good voice and can read well.

If you’re interested in joining our team, please email [email protected] and CC [email protected] with a brief introduction, your past experience, and as many demo recordings as possible in different styles, languages, and accents in MP3 format. The more, the better! If you don’t have any demos, please let us know in the email and we’ll try to arrange something for you.

Please note that this is not a permanent position. We work closely with freelance voice over artists and provide work as needed when clients select them. We’re not seeking singers, rappers, musicians, or artists, only voice over work.

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Backing up the Importance of Voice Overs

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Backing Up The Importance of Voice Over

In previous blogs we’ve spoken about the importance of voice over for corporate and brand identity and touched on the areas that it can really help businesses grow, both internally and in terms of creating leads, that are interested in your product or service. But what about actually backing that up?

Well, we recently did a deep dive into the internet of things and found a few stats that are worth looking at when looking at voiceover more seriously for targeted ads and internal campaigns. . 

Customer Research 

According to the web hosting at voicearchive.com, there are customer studios that have brought some interesting things to the fore in the last few years, especially given the volatile world markets post COVID19. This info was taken from Millward-Brown’s study on voiceover which stated this; “When supported by voiceover, the message was taken out at much higher levels”. 

The results were quite astounding, actually, with 44% engagement with an ad using voiceover versus 17% without. That’s a marked improvement!

Why Does it Matter?

Here’s what’s actually really interesting about the study done. When voice over is used in a context, people may enjoy the ad as much as they would with just visuals and music, however, (and here’s the kicker) they understood far more than they would with a purely visual ad. 

Voiceover has become so important that even giants like Youtube have begun using a global strategy of voice-only ads, meaning that if you aren’t on this trend you may miss out. If you watch TikTok videos and see how many use the standard apple voiceover, then you will know how much more effective videos are that use actual human voice, meaning the need for voice over is growing significantly.

Getting People to Engage

Because voice over allows more people to understand a message, there is a significant upward trend in engagement for those who are using it. Going back to the example of the youtube ads, there are 2 things said by the company that can make you see why –

 – 75% of audio Ads campaigns drove a significant lift in brand awareness

 – “ […]purchases consideration among interested shoppers, driving above benchmark lifts of 14 per cent lift in ad recall and 2 per cent lift in favorability among their target audience” as revealed by early Shutterfly in audio Ads to influence purchase consideration.

Another consideration to make is that in order to get a message across you may also consider using text, but as the study found out, there are limits to the characters you can use, and on top of that, screen space is already limited for visuals. 

Social Media Trends

Social Media trends for 2022 are showing a massive uptake in the use of voiceover as well. In a study done by Lemonligh, a Glasgow-based video creator agency, interest in videos on social media has increased since 2021, with a whopping 99% of people engaging more often, with companies that create video content. Over 76% of companies worldwide are engaging in video creation as a long-term strategy for creating brand awareness. This was a trend the internationally acclaimed inbound marketing agency, HubSpot, had already pinned as this decade’s fastest-moving trend, back in 2015. 

Now, if you add the stats above to this information, what you get is a long-term, lead creation strategy which involves good video and good voiceover combined, to make an easily accessible, relatable and understood message. The statistics are quite clear. 

What that Means for your Business in the Short, Medium and Long Term

In the short term, you really should be looking at voice over as a way to spread your message, and to get on it sooner rather than being a late adopter. There are already advertising agencies that are making voice and video a sustainable lead generation tool, especially when combined with the power of social media. The best part about it is that you won’t have to look at strategies to get people engaged and spend lots of capital on creating a flow of leads if the growth occurs naturally.

In the medium term, there is a better understanding of your offerings and services, meaning that more people will engage with your company and what you do. As the Lemonlight stats suggest, just creating the content you need means there is an almost 100% likelihood that people will start to engage through hearing your message when properly delivered, in a way which reflects your company ethos. Internally there may also be a shift in your company if you are sharing information which can be fed top to bottom with an easy-to-understand message. When internal information is better understood by your employees, it means that the corporate identity remains strong. 

And finally, the long-term effect is that you have a wider reach for your company. This is achieved through a solid company internally, a well-designed and delivered message, and a capacity to be easily seen and have a relatable message which resonates with your new and returning clients.

Do you need a professional and affordable voice-over artist, and a recording studio? Talk to our team at Cosher Recording Studios and let’s help get you started!

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How to become a voiceover artist

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How to Become a Voiceover Artist

Part one – Starting Out

“Anyone can be a voice-over artist right?”

The number of times we’ve all heard this must be staggering, and it comes from the misunderstanding that voice-over is something anyone can easily pick up. Although the barriers to entry are not that high, the truth is somewhat different from this. 

Voiceover, like any other job, is exactly that, a real-world, real-life job, and it starts by understanding what the industry is actually all about. 

There are a few important things to understand when starting out, they include the voice types, knowing where your voice is best suited, understanding what the purpose of different voice scripts are trying to do, and knowing what your personal goal is within the industry. 

The Voice Industry

What voice artists are doing in a nutshell, is putting an idea forward with their voice. Whether that be something someone needs to buy, listen to, learn, or just enjoy. Voice-over work spans so many topics and industries that there’s almost nothing that you won’t find online or hear on TV and radio that doesn’t have some form of voice-over. 

So what is the voice industry actually composed of? That’s pretty simple, the voice industry is divided into artist, engineer (or sound recordist), the client and the intended listener. Each has their own roles to play. Here’s a basic breakdown of each 

  • Voice artists – These are the people doing the acting, the voice you hear telling you what you need to know. Each artist has a specific skill set like character acting or accent work, and will often specialise in one field that their voice is best suited to, like corporate voice overs or hard sell radio ads.

  • Engineers – These guys are the people who record what’s happening behind the mic. Knowing how sound works as an engineer is also useful as an artist, as it can help you find range and frequencies in your voice that you can play with or change. 

  • The client – changes from job to job. It could be a major film company, or a small business, either way, this is quite obviously where the jobs come from. 

  • The listener – Every company you work with will have an audience they are trying to reach, and with every voiceover you do, you will find that this changes. Small businesses might want you to do a short 30-second radio ad in order to attract people who they’d like to make aware of their products or services. Larger corporations can easily use an artist for the same reason, but often also use voiceover for in-house training modules or corporate information. A large company that does films, games or TV could use a voice artist for a documentary or as a character in an animated show. The list is endless. 

 

Basically, the entire point of the voice industry is to make sure that anyone out in the world can easily receive a message, in whatever format that needs to be. 

Next, we take a look at some voice over types. 

Voice Types – What They are, and Why they’re Essential.

Soft sell, hard sell, conversational, if you’ve been in the booth before or ever looked up what voice-over is all about, you will have heard these terms. Each voice type is in a way, a type of marketing, and also involves a bit of psychology too. 

Let’s look at the common ones we listed above (although please be aware, these aren’t the only ones by any means, just 3 very common ones), hard sell, soft sell and conversational. 

In the beginning, hard sell was the way to go, it sounded direct and pointed, think of those old-school 90’s car sales ads or ads for kitchen products from well-known shopping stores like Wal-Mart or Game. The ads were in your face, loud, energetic and often quite irritating when we look back at them. This was marketing directly to everyone, and for a while, it held strong. 

In the early 2000s however, we started to see a shift. People began to see themselves being marketed to, and the awareness that ads were trying to push someone to buy something started to create a feeling of resentment towards these types of ads. 

 

Enter the soft sell, which is exactly what you’d expect it to be. Here we had ads which were much more personal. It also enabled companies to speak about things which were longer term, like finances and medical services. The psychology was simple – if we deliver something soft and completely different to the hard sell, it will create the opposite reaction! This is pretty much exactly what happened. 

But in time, even these became somewhat watered down, and right now, they are almost exclusively used for longer or more emotionally charged ads, although they are still used. 

Somewhere in the middle, people wanted to be spoken to like, well, people. And so the idea of the conversational ad came about. What it is even today, is the ad type that makes it feel like an audience hearing the message is listening to a friend or family member. It’s a relatable voice type that anyone can get behind because it’s not something that sounds like it’s advertising anything to you.

Okay, so why the history lesson? Well, in order to understand what to do behind the microphone it’s often helpful to understand what voice types actually DO and what they’re FOR. 

When we say voice type we’re talking about how the voice actually sounds. Remember how I spoke about hard sell being loud and energetic? 

As a voice artist starting out, you need to watch ads, listen to the radio, and research voice types so that you can understand what they are and how they work. Every voice type sells something different, even if what you’re selling is an idea or a narrative (like a kid’s story), you have to get the listener to buy into what you’re saying.

Audio Post Production – The Role of Music in Film

 

So Where do I Start? 

The first question to answer is, what do you want to do with voice-over? If you’re looking for a sideline gig to make some money, then you can easily learn the basics online and simply teach yourself. 

There are hundreds of channels and hours of tips and tricks that you can follow to get up to speed with the ins and outs of the basics. You will need rehearsal tools as well, and having a phone to work with at the very least in order to record yourself and listen back to practice, is really important.

If you’re looking to take voice acting seriously as a full time career, then you will need to up your game. Finding a voice coach or taking classes for voice acting will be your first port of call. This is because you need to know where your voice is best suited, and which direction would make the most sense for you to follow first in terms of your voice acting career (eg: should you go for corporate or character acting gigs?). 

Coaches are also capable of assisting you in learning accents, such as British Standard (or RP) and American standard. 

Once you have these under your belt, there are 2 things you need to look at. Firstly, where to find your clients and also, how to record your voice. 

Finding Clients and Recording Spaces

Clients can be searched for in one of 2 ways. Firstly, you could get an agent who specialises in voice actors. These people already have clients on their books that are looking for voices and might just be looking for a voice just like yours. Just be aware that agencies also carry agency fees for each job you do, as well as taxes depending on your country or state. 

Secondly, you could try reaching clients directly via email and phone. With this approach you could bypass agency fees but it’s a much harder and more challenging, time consuming process.  

Finding a place to record could also mean one of 2 routes to take. Either finding a reputable recording studio or building and using your own home studio set-up. 

Both options have positives and negatives, so you have to take a moment to consider them before choosing an option. 

Let’s first take a look at some factors surrounding the home studio setup. 

  • Home studios are rent-free spaces you can use any time you’re available

  • Although you might save money by not recording at a studio, the setup cost and maintenance cost of a home studio can be very steep

  • Home studio setups require you to also have an understanding of basic sound engineering for voice over in order to record yourself. 

  • There is a higher chance of inconsistent quality recordings

And what about professional recording studios?

  • Professional studios have all the equipment setup and ready to run 

  • Pro studios also have soundproofing and treatment which provides better quality.

  • Engineers who work at the studio already have the knowledge of how to record the voice for you, they are the professionals for a reason.

  • The cost per hour can vary from reasonable to very expensive depending on where you record

  • You will physically need to go to the studio which might affect your travel costs 

 

This is what one has to consider, for the quality of a professionally recorded voiceover, is the per-hour cost of a studio hire going to make it worth your time? And for most cases, the answer is yes. We all want to do everything ourselves and save costs, but it’s highly unlikely you will be a professional voice artist and a professional engineer. Rather focus on one and let the professional engineer do the rest. 

Whether you have hours behind the microphone or you’re just starting out, it’s important to get the basics right, or sometimes come back to basics just to refresh things. Come and record a demo at Cosher Studios, and find out how you can be added to our growing database of voice talent.

 

 

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Audio Post Production – The Role of Music in Film

Audio Post Production – The Role of Music in Film

Master and Publishing Rights in the Music Industry

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Master and Publishing Rights in the Music Industry

A very common question that comes up for us is the subject of copyright and copyright splits. This actually falls under the umbrella of master and publishing rights. What are they? How are royalties even earned from them and what are the possible percentage splits between the songwriter, producer, recording artist and label?

Copyright ownership and royalties can sometimes be difficult to understand, especially because music is an art form. What can make it challenging, is the number of people who can be involved in making a song, and the different roles they play

So, let’s start from the top.  

Let’s say, for example, someone makes a new track or takes something that has already been done and makes a new version (like a remix for instance). Even if the track is on paper and it isn’t finished, it’s considered to be a new idea or in fancier terms, new creative content. This new idea actually belongs to someone, so in legal terms, it has to be protected (this works just the same way that someone owns a physical thing, like a TV). Another word for this type of legal ownership is “intellectual property”. 

What a lot of people don’t realise is that in the music industry we refer to various types of ownership of any piece of music because of all the people who could be involved. We generally like to separate these into two. One is the creative side of things, and the other is the business side of things. They are respectively called Songwriter and Master copyright

Songwriter/Publishing Copyright (also referred to as publishing)

This is the creative side of the ownership of a song. It means the lyrics, the melody, the composition, the production, or anything that makes that song what it is from a creative point of view.

Master 

This is the business side of the ownership of a song. It basically refers to the people who paid for the song. It could be someone investing in a songwriter, a record label that has signed an artist, or an independent artist paying their own way. 

Master vs publishing copyright

Income that gets generated from a song, gets allocated to the two different forms of ownership, copyright or master ownership (there are other forms of royalties but we will be sticking to copyright and master ownership in this article)

So how this income is generated is actually quite simple. Every country has a type of collection agency called a Performing Rights Organisation, that radio stations pay to every year. In South Africa, that agency is called SAMRO. This falls under publishing/copyright royalties, and this is where songwriters will make royalties.

If you are the master owner, it means that you are eligible to earn any money that is allocated to master owners. Examples of this are CD sales, streams and merchandise. Another example might be if your song gets used in a film or TV ad, the payout agreement will specify an amount allocated to the master owner, while another portion will be allocated to the copyright owners.

 

Some Examples of How This all Works

Let’s say our studio composer Ross Rowley composes a song for a client, a singer called Jonno Smith.

In the first example, Ross comes up with the lyrics, melodies and composition, while the singer, Jonno, performs the song in the studio, pays for it, and leaves with the finished song.

If we look at our previous examples, Ross will be the owner of the publishing/songwriter copyright, while Jonno will own the master. 

So, if the song gets played on the radio, Jonno wouldn’t get royalties from the radio play. This is because Jonno doesn’t own those songwriter copyrights as he didn’t give any creative input into the song, even if he sang on the song. He is simply the performer/recording artist and owns the Master of the song. Ross will get his songwriter royalties from SAMRO and Jonno will be able to collect other royalties (such as mechanical royalties) when the song is sold on CD, and for this, Ross won’t get any royalties because he doesn’t own the master. 

A month later Jonno comes in with a song he has already written, but he needs help with some of his melodies, so Ross sits down with him and they make the song together. The both end up adding creative elements to the song. Jonno then pays for that song too. 

In this example, Ross and Jonno will see how much Ross creatively contributed to the finished song and he will only get a percentage which he will fairly agree on with Jonno. Because this is the creative side, they now share the songwriter/publishing copyright. Jonno still owns 100% of the master as the song still belongs to him and he paid for it. 

This means Jonno will get all of the master royalties, as well as his percentage of the publishing royalties. 

The last example is one where Jonno comes into the studio, with everything written down or recorded on his phone. Ross simply puts or records the instruments in, and also records Jonno’s vocals. Ross has not creatively contributed to the song in anyway, he has just facilitated the production and transferred Jonno’s creative ideas into a song  

In this case, Jonno completely owns both the master and publishing copyright 100%, and Ross will not get any type of royalties for the song because nothing he created on it was new. 

Now, let’s say Jonno gets booked to perform the first song at a show, Rocking the Roses.

Rocking the Roses pays Jonno to perform the song. Jonno takes that money home because he owns the master.

Rocking the Roses also pays SAMRO for a license that gives them the right to have music played at a festival. Ross would then get his royalties from SAMRO for the publishing/songwriter copyright. 

Let’s say that the second song becomes super famous, and someone hears it, like Taylor Swift. Taylor likes the song so much that she pays her own team to come up with a new version of that song. When it is finished, Taylor (and her label) now own the master of the NEW version of the song, but Ross and Jonno still own the publishing/songwriter copyright because they composed the original song.

If Taylor now performs at Rocking the Roses, she will get a set pefromance fee for the master copyright of the NEW song. Ross and Jonno will receive the same songwriter royalties from SAMRO, divided in the same percentage as they originally agreed on. 

 

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Voiceover In A Post Covid World

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Voiceover in the Post Covid World

Picture a training session in 2019, a few hundred employees in a room, the CEO speaking for a few hours on company ethos, or perhaps managers having a chat with people on the floor. This kind of meeting is one which has been happening less and less over the years.

The world has changed a lot since 2020. More than ever we’re seeing companies that are working remotely, and people who are communicating between themselves and their clients online. CEO’s have less time to come in and talk to people because they’re working to rebuild and recoup losses of the last 2 years. 

In this environment of online sharing and communication for corporate and businesses, 2 things have become very apparent. The first thing is that people are having to create brand awareness through different means.  Traditional marketing is becoming increasingly electronic. The second is that in order to communicate internal information, we’re having to reach out with more video based content and tutorials than ever before. 

This is where voice over is swiftly becoming an integral part of the day to day operations of companies and brands all across the world. Because fundamentally, the purpose of voice over is communication and Internally we know that voice overs can update, inform and teach employees company ethos, as well as giving them a sense of the brand’s strategies.

As things have changed to a more remote working environment, more and more apps have come about which require training, and if your company is based in multiple countries, you may find that you have people in different time zones. This means that a Zoom or Teams meeting isn’t always possible. Even in a situation where you operate in one time zone, physical meetings aren’t always convenient, so having a video or recorded audio you can send to clients or employees becomes the remedy. They can watch and listen without the need to physically come in to dial in at 3am in the morning.

Photo by Emmanuel Ikwuegbu on Unsplash

The second reason why voiceover is so important is of course, marketing.

The big issue facing many companies is how to get clients to hear about them, this has always been the case, but in a world where people are now more cautious about where they go and what they do, and for some, even if they go anywhere at all, it’s more important than ever to have a good marketing strategy that involves a voice artist who understands and communicates your brand in the way you want to be perceived. 

The greatest thing that can be granted to you by using voice over for digital content, is that you get to say things the way you want to, so it’s better for you in the long term, as it feels just like word of mouth, except you have the opportunity to make sure that additional information and facts about your brand become common knowledge amongst your preferred lead base. 

In short, Voice Over Recording for corporate purposes is a great and inexpensive way for companies and businesses to replace large meetings, teach and educate employees.

If you are a company looking to get corporate voice-over recording done, know what you are looking for in terms of what type of video or audio you need, and what type of voice you want those to be presented in. Once you have these, do your research and find a good voice with experience.

Need everything done in one place? Then look no further. Cosher Recording Studios is a professional recording studio based in Cape Town, South Africa. We have 3 studio spaces for voice over recording and have our own database of affordable Voice Over Artists who are keen to do your next Corporate Voice Over job.


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What Black Coffee Winning a Grammy means for SA

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What Black Coffee Winning a Grammy means for SA

With all the negative press going around, it’s nice to have something really positive to look forward to. The SA Music scene (and the music scene all over Africa) was alive this week with the news that Black Coffee won a Grammy for Best Electronic/Dance album. A first for Africa, and especially important as it means more than many SA based artists potentially reaslise, and here’s how.

Black Coffee is a DJ from KZN, who has worked incredibly hard and had some amazing opportunities which he used to his advantage throughout his career. He continually seems to be pushing toward greater things, and this drive and perseverance has lead to the win at the 64th annual grammys.

But beyond the young DJ from Umlazi, what has happened is a far more important thing with greater consequences. 

An African has ousted every producer across the globe for one of the most coveted awards the music industry can give, meaning that the door has, for the first time, been opened to the international stage, for an award which isn’t just an international recognition. Instead, it’s recognition that the largest music industry has acknowledged outside artists, and more importantly, an artist from a developing nation. What many people might not realise is that this move by the American music industry has not been one which happens often, if at all. More importantly are the names associated with the award. They are stars like Basement Jaxx, Skrillex, La Roux and even Madonna. (Yes, you read that correctly, Madonna). 

So what is in the future for us as artists in SA and how does this affect us?

Directly, an award like this isn’t going to have an effect. Most award ceremonies aren’t remembered even 6 months after the fact (Who won the award for best actor last year again?) But indirectly, the fact that a South African is pushing international attention means that our burgeoning industry is beginning to make waves ‘across the pond’, and if Black Coffee can do it… 

Our industry has stories of its own to tell, and music which is unique and filled with what we South Africans see day to day and experience. This inherently bleeds into our national sound, with aspects of complex afro- rhythm and specifically African instruments feeding into the sounds which we like, and which we use. Our music history is a rich one, which started as soon as we could stretch animal skin over a wooden drum, but aspects of that history, from mbaqanga to bubblegum pop, kwela, kwaito and amapiano, feed our national soul. For the first time in our history, these are being recognised by international listeners, meaning that the stage is set for South Africans to make a far greater impact on the international level. 

 

 

On the opposite end of the spectrum, listeners will be more open to hearing the music we create. It seems that the single direction that the music we listen to is coming from, is slowly changing, so that instead of us just taking on all of our music from the media giant that is America’s music industry, we have the opportunity to start gaining followings from listeners in the US whose ears are finally being opened to our SA flair and sound. 

In the long term, what this may serve to do is to widen the way in which the music industry accepts more African media as a whole. We have already seen international attention being given to Asian TV and film, especially after the huge success of Korean hit, Squid Game. 

What we may be seeing for the first time is a recognition that while the US has held the monopoly on “What’s good”, we might be recognised for what’s even better. 

I remember giving a TED talk at Rocking the Daisies a few years back, where I coined a phrase – I called it “the circle of audience mistrust”. What it means is pretty simple. South African media is seen by South Africans as not being as good as the internationals. In turn, the labels and production houses won’t always give us the resources, and that leads to us not having everything we need to really make great music. This creates a circle. And if you don’t think it exists, think about the amount of times you’ve said “wow is this artist from SA!?”. 

What this Grammy means for South African audiences, is that we can finally rest assured that we CAN do it, and that our music is just as good as anything that comes from anywhere else. 

In short – Black Coffee has opened the door, and that open door is set to enable us to start getting our music out there to an audience that is hungry for something different. 

Let’s be that different. 

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Voiceover For Corporates – Some Starting Points

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Voiceover For Corporates - Some Starting Points

Whether or not you are aware of it, voice-over is something which you will hear all over the place. Whether it’s a radio Ad, an e-book or even background voice in a film or series, or even if you’re just calling a corporation, it’s likely someone’s recorded voice has been part of your day. 

Corporate voice-over (a type of voice-over sales delivery) conjures up thoughts of people in suits in corner offices and high rise buildings, but voice-over FOR the corporate world is different.

What does corporate Voice-Over mean though? There a number of ways in which a company may use voice-over beyond advertising. Voice-over recordings for corporates can span many different internal processes which occur, or services being offered by a company, big corporation or small enterprise.

In-house training is one of the big uses of corporate voice-over. This could take the form of e-learning books or explainer videos where you could be using a mix of narration or conversational styles of voice-over recording. Internal corporate voice-over focusses within the company itself, these recordings can be released to staff about changes to company processes and policy, new product lines which are being added to company offerings, or any other in house operations which are either changing or need to be discussed throughout the company. One of the main reasons an internal video with voice-over is used is so that there is no need for lengthy meetings which take up time and resources.

External corporate voice-overs focusses on video or audio which has been created for public consumption. This can be in the form of ads for radio or TV, or it can be in the form of longer-form videos or audio that could be used at conventions or shows, either highlighting a specific product or the company as a whole. Product-specific videos often make their way to places online such as YouTube ads as well.

An explainer video can also be used externally, to show new clients how to use a specific product or service that you have created.

Some advice for Corporates looking to do Voice-Over Recording – Should you be a company or business looking to do corporate voice-over recording for any reason, be it advertising or internal, there are a few things to consider in terms of the way you go about looking for artists, choosing script etc.

Microphone and Headphones

 

Search for people or voice over artists with some experience. Many companies try to cut costs by selecting an employee of the business to do the recording.  Someone from the company from an in-house point of view might better understand the context of what you do as a company, however, these internal company employees often do  not have the experience and quality to match their understanding of the company. This often leads to the employee spending more time in the studio and making more mistakes which will end up costing the company just as much or even more than having professional Voice Over Artist do the work.  Agencies and professional voice-over artists might be more expensive initially, however they spend less time in the studio and make less mistakes which means less costs overall. Additionally, the end recorded product will sound significantly better. 

You can also use a recording done by someone in-house as a baseline layout to then give to a professional to use for a general idea of what you want to be performed.

Know what quality you want your track to be. This doesn’t mean you want an mp3 or a wav file,  what you need to do is look at the platform you require or that you want your material to be on. YouTube and Vimeo use different video quality, facebook has specific size restrictions in terms of pixels and Mb. Know what the kind of quality you need is depending on the platform you’re going to post on.

The Takeaway

Voice Over Recording for corporate purposes is a great and inexpensive way for companies and businesses to replace large meetings, teach and educate employees and to use as material at events or conferences.

If you are a company looking to get corporate voice-over recording done, know what you are looking for in terms of what type of video or audio you need, and what tones of voice you want those to be presented in. Once you have these, do your research and find a good voice with experience.

Need everything done in one place? Then look no further. Cosher Recording Studios is a professional recording studio based in Cape Town. We have 3 studio spaces for voice over recording and have our own database of affordable Voice Over Artists who are keen to do your next Corporate Voice Over job

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Voice Over – What it actually is

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Voice Over - What It Actually Is

There are some skills which tend to remain in the background where the entertainment industry is concerned. People like drummers and bass players in music, special effects crews and focus pullers in film… There are many professions which don’t really get talked about too much.  One of the most versatile types of these people is the voice over artist.

Voice-over is often overlooked as a career choice because we rarely actually get to see the people behind the voices we hear on the radio, in TV ads, in films (especially animated) and other media types which contain snippets of the human voice.

Voice over recording is actually a very specific skill set, and as with anything, it requires some time to hone the skill needed to be a voice actor.

What is Voice Over Recording?

The dictionary description of a voice-over (or VO for short) is literally – “the voice of an unseen narrator speaking (as in a motion picture or television commercial)”. Voice-over refers to any recording of a person’s spoken voice not seen, used in media. It could be an ad on the radio, an ad on TV, a background voice in a film (or a voice recorder after filming is done on a film set), a language change to a film or it could be done live such as in United Nations meetings.

Types of Voice Over

There are a few different, main types of voice-over which you will find across the spectrum and these are as follows:

Narration – Narration is one of the most common VO types and refers to the recording of audio information such as an audiobook. It commonly comprises of either a single reader or multiple readers dictating an actual book or article, which is going to be loaded onto the internet to be sold or used as an audio-based copy of a hard copy item. It is also often used for educational e-learning purposes such as a university or school lectures and classes. Narration for e-learning is sometimes done for companies wanting to impart information on employees without the need for long meetings and introductory classes, either for the purpose of teaching or informing about a new product line or introducing new members to the company culture. 

 

Commercial – Commercial Voice over recording is done for the purpose of selling products or informing the public about a new product or service as an advertisement. A company will write a script and a voice over artist will be required to apply a selling technique such as a hard or soft sell to the script. These scripts require a base knowledge of sales types for VO, and will sometimes be added to a music track especially if the VO is being used for a radio AD. 

Dubbing – Dubbing is the process where a voice actor is required to read a script whilst watching a piece of film or TV, in order to translate the language in which the original piece was done. This requires some skill as the movements of the mouth of the character on screen have to match the new script and the voice artist will have to read and watch simultaneously. More often than not, dubbing is done by more experienced artists who are well practised in VO script reading. 

UN dubbing – UN dubbing is a very specific type of dubbing which gains its name from its original use, which was to translate speeches done by dignitaries from the United Nations who may not have been fluent in English. It now also refers to dubbing which is done when a speaker who is on screen being translated by a speaker off screen, most commonly used in documentary film or newscasting. Often you will still hear the original speaker’s dialogue still playing softly in the background as the preferred language is played over it. 

ADR – Automatic dialogue replacement is a process where additional dialogue is re-recorded for actors who may not have been able to record dialogue properly on a film set on the day that the visuals were recorded either due to external factors like explosion effects or other sounds, or bad recording quality on the day. This is recorded with the original actor as often as possible, but sometimes is recorded with a VO actor who can mimic the original voice.

IVR – Interactive voice response is the process of taking short sentences such as  “if you know the number of the extension you need to dial, please do so now” and using them for an automatic response system, most commonly used in large corporations, chain stores, or  for government departments. 

Character Voice Acting – The most interesting and sought after of voice over work, character voice acting involves a long script being used for either a film or game, where an actor is required to actually act a part which will then be animated. Being on one of these can be incredibly lucrative for voice actors, and some actors (such as Mark Hamill) have made much of their career based around character acting for VO. To do these jobs requires an extensive amount of knowledge in voice-over and also in character acting, and more often than not experienced actors are used for their specific vocal qualities. 

This is a base overview of what voice-over recording is and where you will find the most common uses for voice acting. In the next few months, we will be going into some of these more in-depth with a focus on how to start a career as a voice actor and what you should look out for, as well as presenting you with an overview of techniques for voiceover actors.

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Reach out to us for voiceovers tailored to your unique project needs.

Cosher Studios has a large talent pool of artists ready to take on your projects. If you haven’t found anything specifically dedicated to your audience, we can take you through the process of getting something created specifically for your brand.